"For truth is truth, though never so old, and time cannot make that false which was once true"

Edward de Vere

 

"For truth is truth, to the end of reckoning"

William Shakespeare, Measure for Measure

  •  
  •  
  •  
 bent street studio

1st floor 177 Salisbury road camperdown

 

"When Religion Ruled the World, They Called It the Dark Ages"

http://www.mgfnsw.org.au/

artport 2003 landing various sydney venues

ETA 22-28 september

 www.artportaustralia.info

 Judas Escariot

 Holy Smoke

Poodle History Project

 

Companions to genius (and etc.)

victoria park sydney

Storm

samx@netspace.net.au

my iChat av AOL name is sammcinnes

tel +61414800916

 

A Nice Cup of Tea

 

By George Orwell

Evening Standard, 12 January 1946.

  If you look up 'tea' in the first cookery book that comes to hand you will probably find that it is unmentioned; or at most you will find a few lines of sketchy instructions which give no ruling on several of the most important points.

 

This is curious, not only because tea is one of the main stays of civilization in this country, as well as in Eire, Australia and New Zealand, but because the best manner of making it is the subject of violent disputes.

 

When I look through my own recipe for the perfect cup of tea, I find no fewer than eleven outstanding points. On perhaps two of them there would be pretty general agreement, but at least four others are acutely controversial. Here are my own eleven rules, every one of which I regard as golden:

 

• First of all, one should use Indian or Ceylonese tea. China tea has virtues which are not to be despised nowadays &emdash; it is economical, and one can drink it without milk &emdash; but there is not much stimulation in it. One does not feel wiser, braver or more optimistic after drinking it. Anyone who has used that comforting phrase 'a nice cup of tea' invariably means Indian tea.

 

• Secondly, tea should be made in small quantities &emdash; that is, in a teapot. Tea out of an urn is always tasteless, while army tea, made in a cauldron, tastes of grease and whitewash. The teapot should be made of china or earthenware. Silver or Britanniaware teapots produce inferior tea and enamel pots are worse; though curiously enough a pewter teapot (a rarity nowadays) is not so bad.

 

• Thirdly, the pot should be warmed beforehand. This is better done by placing it on the hob than by the usual method of swilling it out with hot water.

 

• Fourthly, the tea should be strong. For a pot holding a quart, if you are going to fill it nearly to the brim, six heaped teaspoons would be about right. In a time of rationing, this is not an idea that can be realized on every day of the week, but I maintain that one strong cup of tea is better than twenty weak ones. All true tea lovers not only like their tea strong, but like it a little stronger with each year that passes &emdash; a fact which is recognized in the extra ration issued to old-age pensioners.

 

• Fifthly, the tea should be put straight into the pot. No strainers, muslin bags or other devices to imprison the tea. In some countries teapots are fitted with little dangling baskets under the spout to catch the stray leaves, which are supposed to be harmful. Actually one can swallow tea-leaves in considerable quantities without ill effect, and if the tea is not loose in the pot it never infuses properly.

 

• Sixthly, one should take the teapot to the kettle and not the other way about. The water should be actually boiling at the moment of impact, which means that one should keep it on the flame while one pours. Some people add that one should only use water that has been freshly brought to the boil, but I have never noticed that it makes any difference.

 

• Seventhly, after making the tea, one should stir it, or better, give the pot a good shake, afterwards allowing the leaves to settle.

 

• Eighthly, one should drink out of a good breakfast cup &emdash; that is, the cylindrical type of cup, not the flat, shallow type. The breakfast cup holds more, and with the other kind one's tea is always half cold before one has well started on it.

 

• Ninthly, one should pour the cream off the milk before using it for tea. Milk that is too creamy always gives tea a sickly taste.

 

• Tenthly, one should pour tea into the cup first. This is one of the most controversial points of all; indeed in every family in Britain there are probably two schools of thought on the subject. The milk-first school can bring forward some fairly strong arguments, but I maintain that my own argument is unanswerable. This is that, by putting the tea in first and stirring as one pours, one can exactly regulate the amount of milk whereas one is liable to put in too much milk if one does it the other way round.

 

• Lastly, tea &emdash; unless one is drinking it in the Russian style &emdash; should be drunk without sugar. I know very well that I am in a minority here. But still, how can you call yourself a true tealover if you destroy the flavour of your tea by putting sugar in it? It would be equally reasonable to put in pepper or salt. Tea is meant to be bitter, just as beer is meant to be bitter. If you sweeten it, you are no longer tasting the tea, you are merely tasting the sugar; you could make a very similar drink by dissolving sugar in plain hot water.

 

Some people would answer that they don't like tea in itself, that they only drink it in order to be warmed and stimulated, and they need sugar to take the taste away. To those misguided people I would say: Try drinking tea without sugar for, say, a fortnight and it is very unlikely that you will ever want to ruin your tea by sweetening it again.

 

These are not the only controversial points to arise in connexion with tea drinking, but they are sufficient to show how subtilized the whole business has become. There is also the mysterious social etiquette surrounding the teapot (why is it considered vulgar to drink out of your saucer, for instance?) and much might be written about the subsidiary uses of tealeaves, such as telling fortunes, predicting the arrival of visitors, feeding rabbits, healing burns and sweeping the carpet. It is worth paying attention to such details as warming the pot and using water that is really boiling, so as to make quite sure of wringing out of one's ration the twenty good, strong cups of that two ounces, properly handled, ought to represent.

 

(taken from The Collected Essays, Journalism and Letters of George Orwell, Volume 3, 1943-45, Penguin ISBN, 0-14-00-3153-7)

 

 "Frédéric François CHOPIN", 1996, oil on canvas 2'8" x 4' (freds last resting place)

http://www.paris.fr/

404 

Jean Francois Galaup de Laperous __________My Portraite of Laperous or maybe an English officer 1788

brief history of La perouse

Jean Francois Galaup de Laperous arrived 2 days after Philip in Botany Bay 1788. La Perouse spent 6 weeks their The English invaders did not like the french and the cafes where much better at quycular que so after 7 days Philip got a ferry to Circular que, some of the stinking convicts walked the 15 miles from Sydney cove back to botany bay to ask if la Perouse would take them back to europe he refused, la Perouse was never seen agian, his ship wreck of the Boussole was found in Vanikoro near the Soloman islands in 1964. Louis XV1 asked if there was any news of Laperouse before he got his head chopped off

Louis XV1

Edmund Burke so aptly said at that time "The only thing necessary for the triumph of evil is for good men to do nothing".

 

 

The France of Victor Hugo

 

Robe on the coast os South Australia

In 1857 Victoria put ten pound landing fee on all Chinese landing in Melbourne so ships landed their cargo of Chinese in Adelaide. Later the ships docked at Kingston and finally Robe, both of which were closer to the Victorian gold fields. The distance from Adelaide to Bendigo was 500 miles (800 kilometres) and about 310 miles from Robe (500 kilometres). Between 1857 and 1863, 16,261 Chinese males and one female landed at the port of Robe, on Guichen Bay.

 

 

Epictetus

 A very STOIC Greek dude

Require not things to happen as you wish, but wish them to happen as they do happen. Then all will go well.

Epictetus.  (c. A.D.50&endash; A.D. 138)

In every happening, inquire of your mind how to turn it to proper account.

 

Epictetus.  (c. A.D.50&endash;A.D.138)

Never say of anything, 'I have lost it,' but 'I have restored it.' Is your child dead? It is restored. Is your wife dead? She is restored. Is your estate taken away from you? Well, and is not that likewise restored? But he who took it away is a bad man.' What is it to you by whose hands He who gave it hath demanded it again? While He gives you to possess it, take care of it, but as of something not your own, like a passenger in an inn.

Epictetus.  (c. A.D. 50&endash;A.D. 138)

Epictetus (pronounced Epic-TEE-tus) was an exponent of Stoicism who flourished in the early second century C.E. about four hundred years after the Stoic school of Zeno of Citium was established in Athens. He lived and worked, first as a student in Rome, and then as a teacher with his own school in Nicopolis in Greece

What is really good

 

The central claim of Stoic ethics is that only the virtues and virtuous activities are good, and that the only evil is vice and actions motivated by vice (see Discourses 2.9.15 and 2.19.13). When someone pursues pleasure or wealth, say, believing these things to be good, the Stoics hold that this person has made a mistake with respect to the nature of the things pursued and the nature of their own being, for the Stoics deny that advantages such as pleasure and health (wealth and status, and so forth) are good , because they do not benefit those who possess them in all circumstances. Virtue, on the other hand, conceived as the capacity to use such advantages wisely, being the only candidate for that which is always beneficial, is held to be the only good thing (see Plato, Euthydemus 278e&endash;281e and Meno 87c&endash;89a).

http://www.philosophypages.com/ph/epit.htm

 

 

 

CHARLES R. BOXER, (1904-2000), Britain's chief spy in Hong Kong leading up to WWII, Mr. Boxer was a historian of international renown and author of 330 books and articles about the growth and origins of the Dutch and Portuguese empires. In 1941, while working for British Intelligence, Mr. Boxer was implicated in a secret radio-listening operation and sentenced to hard labor in a Japanese war camp for the duration of the war. Despite this experience, he continued to admire the Japanese, becoming a scholar of Oriental studies at Yale, Michigan, Indiana, and other American universities. After retirement, Mr. Boxer continued writing, lecturing, and collecting rare books and manuscripts. He was said to favor natty attire and was given to bawdy ballads and poetry when in the congenial company and when glasses were raised high. According to The Times of London, Mr. Boxer's personal philosophy was one of Stoicism, believing "nothing matters much; most things don't matter at all."

poli sp ce now closed forever now doing bisnes in the fouth demention

links to 4th demention are down at the moment please make all inquires to you isp or go on the street and ask the first person u see 

 Fuhgeddabowdit!

 Thanks to whoever. Dedicated to the mad ones. Peace.

`·.¸¸.·´`·.¸¸.-> samx <-.¸¸.·´`·.¸¸.·´)


I think this has something to do with 4th Dimension but I could be wrong.

copyright © ¥Ý®©(C) 

internet Art Gallery

ARTIST RUN ART GALLERIES AND SPACES IN SYDNEY

Art Bank 

1+2 ARTISTS STUDIOS

Peter Murphy's Panoramic VR Weblog

 Peter Murphies 360 degree photos in Sydney http://www.culture.com.au/virtual/

MORE PHOTOS OF art port 2001

lesli in 2002 and-----------lesly in 2004

TAP GALLERY http://www.tapgallery.org.au/

BLAUGRAU http://www.up.to/blaugrau

Boomallihttp://www.culture.com.au/boomalli/

First Draft email first_draft_inc@hotmail.com

SQUAT SPACEemail squatspace@yahoo.com

permanetly closed 2001

Free Spaceclosed 2002 email lisa@acrostik.com

 

Gallery4A email gallery4a@one.net.au

 

GLOBAL GALLERY email globalgallery@bigpond.com

 

Grey Matter Contemporary Art http://www.digimatter.com/

Imperial Slacks http://www.projectroom.com/islacks/

 

JOES closed 2001emailjoes@hotmail.com

 

PCL Exibishionistshttp://www.pclgallery.org.au/

RUBYAYRE http://www.rubyayre.com/

SHOEBOXemailboxsurreyst@yahoo.com

spaceE3 emailspacethree@hotmail.comclosed

Malcoclosed 2002

 

MUSEUMS and GALLERIES Foundation of NSW http://mgfnsw.org.au/

NAVA

National Association for the Visual Arts

http://culture.com.au/nava/index.html

interesting links http://culture.com.au/links.htm

links_and_thinks.htm 

Maclean Edwards http://www.aar.com.au/art/artist_me.htm

web cams

Sydney Habour before it was wiped out

Sydney Cafe ALT

Dublin Crn Talbot/Lr.Gardiner Street

Hong Kong Causeway Bay

Pakistan Karachi

The Sun in Ultru Violet

New York Times Square

 

 

 

 

 

,MS
Comments to author:
All contents copyright © ¥Ý®©(C) 1997,

`綃©úºÃå `˜°§¢£`

 

  1.   __o
  2. _`\<,_
  3. (*)/ (*)

 

NOW DECLASSIFIED Be advised to avoid high-security files without proper authorization.

 

 

Evilyn and sam in Austria not Australia april 2000 evelinh_99@yahoo.com

 

 

"New York", 1996, oil on canvas, 5'10" x 8'8"

"Bombay Harbour"1995 oil on canvas 2 x 3ft.

 

 

 

 

Blue Room"Blue Room"

1996, oil on canvas 2'8" x 3'4"

 

 

Carla Hoedemakers

Dutch Girl in Goa India 1982

 

 

Port Douglas far North Queensland Jan. 97

 

 

View from the Stanmore studio

 

 

Julia in Berlin and her page in San Fransisco

 

Installation Hogarth Galleries 1979 10ftx10ft

 

 

Keserli 1996 Waterloo Studio and in car  

 

 

 

2800km north of Sydney 1997

Port Douglas Far North Queensland

 
 
 

Photo by sam mcinnes of PCD in studio march 2000

Painting by paul procee finalist archiball prize 2003 pcd2k@netspace.net.au

Painting by paul procee archi finalish 2004

 

QT Movie of Studio 150k

 

 

Midnight Dance QTMovie MP4 80k

 

download the latest release of

Netscape Navigator

 

 

Comments to author:sam spade
All contents copyright © ¥Ý®©(C) 1997,
samx@netspace.net.au tel +61 02 9557 6330 extention 11